Search found 4 matches

by firving-beck
Thu Oct 23, 2025 6:06 pm
Forum: Fall 2025
Topic: wk4 10.14/10.16: Data, Information Arts, Information, Noise
Replies: 12
Views: 4574

Re: wk4 10.14/10.16: Data, Information Arts, Information, Noise

With the rise of increased surveillance and presence of big data in our everyday lives, it’s natural that artists are searching for meaning and identity within datasets. Three examples of this are: Alex Dragulescu and Judith Donath's Lexigraphs I (as described within Judith Donath’s written text Dat...
by firving-beck
Wed Oct 15, 2025 1:16 pm
Forum: Fall 2025
Topic: wk4.1 Data Presentations
Replies: 16
Views: 4704

Re: wk4.1 Data Presentations

Big Data Origins: Originated in 1990s, some attribute the term to computer scientist John Mashey. Continues to be increasingly relevant today with the expansion of available data and processing resources General Definition: Extremely large datasets that continue to grow exponentially over time, als...
by firving-beck
Mon Oct 13, 2025 11:12 am
Forum: Fall 2025
Topic: wk3 10.07/10.09: Digital Image, Time, Space, Interactivity, Narrative
Replies: 14
Views: 5200

Re: wk3 10.07/10.09: Digital Image, Time, Space, Interactivity, Narrative

I was particularly struck by two vastly different uses of machine-generated aesthetics to manipulate time, especially distinct from one another since they both work with human source material. The first of which is Rokeby’s San Marco Flow, which captures the temporal element linearly via long exposu...
by firving-beck
Mon Oct 06, 2025 6:27 pm
Forum: Fall 2025
Topic: wk2 09.30/10.02: Early References
Replies: 14
Views: 8396

Re: wk2 09.30/10.02: Early References

I’m interested in Deborah Hay — specifically that she takes on the role of nude model for the early computer artwork Computer Nude (Studies in Perception I), and also is a dancer/choreographer in her own right. When acting as a dancer and model, her own form becomes the subject matter, serving as a ...