Search found 4 matches
- Thu Oct 23, 2025 6:06 pm
- Forum: Fall 2025
- Topic: wk4 10.14/10.16: Data, Information Arts, Information, Noise
- Replies: 12
- Views: 4574
Re: wk4 10.14/10.16: Data, Information Arts, Information, Noise
With the rise of increased surveillance and presence of big data in our everyday lives, it’s natural that artists are searching for meaning and identity within datasets. Three examples of this are: Alex Dragulescu and Judith Donath's Lexigraphs I (as described within Judith Donath’s written text Dat...
- Wed Oct 15, 2025 1:16 pm
- Forum: Fall 2025
- Topic: wk4.1 Data Presentations
- Replies: 16
- Views: 4704
Re: wk4.1 Data Presentations
Big Data Origins: Originated in 1990s, some attribute the term to computer scientist John Mashey. Continues to be increasingly relevant today with the expansion of available data and processing resources General Definition: Extremely large datasets that continue to grow exponentially over time, als...
- Mon Oct 13, 2025 11:12 am
- Forum: Fall 2025
- Topic: wk3 10.07/10.09: Digital Image, Time, Space, Interactivity, Narrative
- Replies: 14
- Views: 5200
Re: wk3 10.07/10.09: Digital Image, Time, Space, Interactivity, Narrative
I was particularly struck by two vastly different uses of machine-generated aesthetics to manipulate time, especially distinct from one another since they both work with human source material. The first of which is Rokeby’s San Marco Flow, which captures the temporal element linearly via long exposu...
- Mon Oct 06, 2025 6:27 pm
- Forum: Fall 2025
- Topic: wk2 09.30/10.02: Early References
- Replies: 14
- Views: 8396
Re: wk2 09.30/10.02: Early References
I’m interested in Deborah Hay — specifically that she takes on the role of nude model for the early computer artwork Computer Nude (Studies in Perception I), and also is a dancer/choreographer in her own right. When acting as a dancer and model, her own form becomes the subject matter, serving as a ...