Search found 9 matches

by firving-beck
Tue Dec 09, 2025 2:18 pm
Forum: Fall 2025
Topic: 11.25: Final Project Presentations
Replies: 9
Views: 6120

Re: 11.25: Final Project Presentations

"Chaos Theory: a Tool for Creation and Critical Framework" - Fiona Irving-Beck This presentation first covers a general basis of chaos theory. It then presents a few artworks that explicitly use chaos in their depiction of complex systems. Finally, chaos theory is presented as a framework to gain in...
by firving-beck
Sun Nov 30, 2025 2:40 pm
Forum: Fall 2025
Topic: wk8 11.11/11.13: Artificial Neural Networks | CNN | Style Transfer, Artificial Intelligence
Replies: 14
Views: 6740

Re: wk8 11.11/11.13: Artificial Neural Networks | CNN | Style Transfer, Artificial Intelligence

I usually dislike generative AI, from both a conceptual and aesthetic standpoint. However, I was really drawn to Memo Akten’s work, particularly his 2017 piece Learning to see: We are made of star dust (#2) . Part of the appeal was the nostalgia element for an earlier era of image generation: both t...
by firving-beck
Sat Nov 22, 2025 8:32 pm
Forum: Fall 2025
Topic: wk7 11.04/11.06: Digital Object | Digital Fabrication, Robotics | Automation
Replies: 14
Views: 7451

Re: wk7 11.04/11.06: Digital Object | Digital Fabrication, Robotics | Automation

I was particularly interested in works where human and machine combine. I believe that these pieces both extend the capabilities of and simultaneously limit the human form. For example, Stelarc’s robotic pieces that physically fuse with his body. I found Exoskeleton to be a really unique example of ...
by firving-beck
Tue Nov 18, 2025 8:02 pm
Forum: Fall 2025
Topic: wk6 10.28/10.30: Emergence, Self-Organization, Augmented Reality, Virtual Reality | Methodology Guidelines
Replies: 14
Views: 9452

Re: wk6 10.28/10.30: Emergence, Self-Organization, Augmented Reality, Virtual Reality | Methodology Guidelines

In considering these works, something I found particularly interesting was the distinction between self-driven, exploratory pieces, and those which are more structured, critically investigating social dynamics. I found Osmose to be example of the former, given its emphasis on exploration and the ind...
by firving-beck
Sat Nov 01, 2025 10:46 pm
Forum: Fall 2025
Topic: wk5 10.21/10.23 Systems Art, Generative Art, Algorithmic Art, Bio Art, Biometrics, Bio Data
Replies: 14
Views: 15306

Re: wk5 10.21/10.23 Systems Art, Generative Art, Algorithmic Art, Bio Art, Biometrics, Bio Data

I am particularly interested in two elements of this week's topic – the concept of co-authorship with algorithms and, as a natural continuation of this collaboration, the potential for lifeforms that emerge beyond the strictly biological, within biotech. I'm curious about the distinction between coo...
by firving-beck
Thu Oct 23, 2025 6:06 pm
Forum: Fall 2025
Topic: wk4 10.14/10.16: Data, Information Arts, Information, Noise
Replies: 14
Views: 18503

Re: wk4 10.14/10.16: Data, Information Arts, Information, Noise

With the rise of increased surveillance and presence of big data in our everyday lives, it’s natural that artists are searching for meaning and identity within datasets. Three examples of this are: Alex Dragulescu and Judith Donath's Lexigraphs I (as described within Judith Donath’s written text Dat...
by firving-beck
Wed Oct 15, 2025 1:16 pm
Forum: Fall 2025
Topic: wk4.1 Data Presentations
Replies: 16
Views: 18380

Re: wk4.1 Data Presentations

Big Data Origins: Originated in 1990s, some attribute the term to computer scientist John Mashey. Continues to be increasingly relevant today with the expansion of available data and processing resources General Definition: Extremely large datasets that continue to grow exponentially over time, als...
by firving-beck
Mon Oct 13, 2025 11:12 am
Forum: Fall 2025
Topic: wk3 10.07/10.09: Digital Image, Time, Space, Interactivity, Narrative
Replies: 15
Views: 16532

Re: wk3 10.07/10.09: Digital Image, Time, Space, Interactivity, Narrative

I was particularly struck by two vastly different uses of machine-generated aesthetics to manipulate time, especially distinct from one another since they both work with human source material. The first of which is Rokeby’s San Marco Flow, which captures the temporal element linearly via long exposu...
by firving-beck
Mon Oct 06, 2025 6:27 pm
Forum: Fall 2025
Topic: wk2 09.30/10.02: Early References
Replies: 14
Views: 17999

Re: wk2 09.30/10.02: Early References

I’m interested in Deborah Hay — specifically that she takes on the role of nude model for the early computer artwork Computer Nude (Studies in Perception I), and also is a dancer/choreographer in her own right. When acting as a dancer and model, her own form becomes the subject matter, serving as a ...